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The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of ""the real"" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shohyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify ""photography"" in Japanese) in a wide variety of medical, botanical,
J7530 --- J7000.70 --- Art and science --- -Botanical illustration --- -Plant prints --- -Photography --- -Realism in art --- -Realism (Art) --- Plant impressions --- Botanical drawing --- Flower painting and illustration --- Fruit painting and illustration --- Illustration, Botanical --- Science and art --- Japan: Natural sciences and technology -- biology -- botany, flora --- Japan: Natural sciences and technology -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan --- -History --- 19th century --- -19th century --- Botanical illustration --- Photography --- Plant prints --- Realism in art --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Nature prints --- Plants in art --- Biological illustration --- Natural history illustration --- Science --- History --- Japan: Science and technology -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Science and technology -- biology -- botany, flora
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Optics. Quantum optics --- Aesthetics of art --- kleurenleer --- Kleurenschalen --- Color --- 7.017 --- handboek --- kleur --- kleuratlas --- Chromatics --- Colour --- Atlases --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Kleurenschaal
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Watercolor painting, Italian --- Citrus fruits in art --- Dal Pozzo, Cassiano, --- Art collections --- botanical illustration --- Citrus --- Rutaceae --- 7.074 "16" --- 76.043 --- 7.026 --- Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Iconografie: flora in de prentkunst --- Kunstwerken: copiëren; reproduceren; facsimile's --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- 76.043 Iconografie: flora in de prentkunst --- 7.074 "16" Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- watercolors [paintings] --- citrus fruit --- prints [visual works] --- Plant husbandry --- drawings [visual works] --- Art --- Pozzo, dal, Cassiano --- 'Museo carteceo' --- anno 1600-1699 --- Italian watercolor painting --- Water-color painting, Italian --- Pozzo, Cassiano Dal, --- Watercolor painting, Italian - 17th century - Catalogs --- Citrus fruits in art - Catalogs --- Dal Pozzo, Cassiano, - 1588-1657 - Art collections - Catalogs --- Dal Pozzo, Cassiano, - 1588-1657 --- kunst en wetenschap --- Dal Pozzo, Cassiano, 1588-1657
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Het centrale thema in 'Weg van Vlaanderen' zal de vraag zijn hoe kunstenaars vandaag het bestaande landschap in beeld brengen. Bij het woord landschap duiken snel lyrische associaties op, maar dat zal hier eerder uitzondering zijn dan regel. Wat blijft er nog over van een natuurlijk landschap? 'Weg van Vlaanderen' zal de meest prangende beelden bijeen brengen die recent van het sterk veranderde landschap in Vlaanderen gemaakt zijn. De tentoonstelling zal zich niet beperken tot beelden uit de hedendaagse kunst, maar presenteert ook beelden met een ander temperament van illustratoren, persfotografen, een architect, een televisieregisseur, en een natuurfotograaf.
art criticism --- kunstkritiek --- landschappen --- Iconography --- Sociology of environment --- Flanders --- hedendaagse kunst --- 2013-05-18 - 2013-08-25 --- 20ste eeuw --- 21ste eeuw --- Vlaanderen --- Landscapes in art --- Art, Modern --- Themes, motives --- BR Staff Publications [c] (book chapter or book) --- BEL Belgium & GDL --- Belgium --- landscapes --- landscape photographs --- art exhibitions --- exhibition catalogues --- art photography --- photographs --- 7.039 --- 7.038 --- 7.039(493) --- 7.047 --- Thema's in de kunst ; landschappen --- Thesissen ; doctoraten ; eindwerken --- Beeldende kunst ; Vlaanderen ; 20ste en 21ste eeuw --- Laureyns, Jeroen --- Braem, Renaat --- Charlier, Jacques --- Cornelis, Jef --- De Cordier, Thierry --- De Clerck, Antoon --- De Keyser, Raoul --- De Maesschalck, Jan --- De Mulder, Walter --- Donckers, Niels --- Ever Meulen --- Hendryckx, Michiel --- Kempenaers, Jan --- Op de Beeck, Hans --- Raveel, Roger --- Struth, Thomas --- Van de Kerckhove, Omer --- Vanfleteren, Stephan --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- landschap --- landschapsschilderkunst --- landschapsfotografie --- landschapsarchitectuur --- film --- fotografie --- tekenkunst --- Braem Renaat --- Charlier Georges --- Cornelis Jef --- De Cordier Thierry --- De Clerck Antoon --- De Keyser Raoul --- Delvoye Wim --- De Maesschalk Jan --- De Mulder Walter --- Donckers Niels --- Meulen Ever --- Hendryckx Michiel --- Kempenaers Jan --- Op de Beeck Hans --- Raveel Roger --- Struth Thomas --- Van de Kerckhove Omer --- Vanfleteren Stephan --- 7.036/039 --- 700.1 --- beeldende kunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Iconografie ; landschappen, zeegezichten, panorama's, land-art --- Exhibitions --- Landscapes --- Flanders (Belgium) --- hedendaagse kunst. --- landschappen. --- 2013-05-18 - 2013-08-25. --- 20ste eeuw. --- 21ste eeuw. --- Vlaanderen.
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Science policy --- Art --- Dutch literature --- anno 1900-1999 --- Belgium --- Belgique ; histoire --- België ; geschiedenis --- Instellingen --- Institutions --- Kunst --- Letterkunde --- Littérature --- Sciences --- Wetenschappen --- 061.12 <493> KONINKLIJKE ACADEMIE --- #A9106A --- Academies--België--KONINKLIJKE ACADEMIE --- Libri memoriales --- INS Institutes --- Europe --- institutes --- jubilee volume --- societies --- Libri memoriales. --- 061.12 <493> KONINKLIJKE ACADEMIE Academies--België--KONINKLIJKE ACADEMIE
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Public buildings --- Brussels --- Botanical gradens --- Music-halls --- Jardins botaniques --- Salles de concert --- History --- Histoire --- Bruxelles --- --Jardin botanique --- --1829-1990, --- Botanique --- Jardin botanique, histoire --- 712 <493> --- 58.006 --- Landschapsarchitectuur. Tuinkunst. Parkaanleg--België --- JBNP BR Institute --- BR institute --- Belgium --- botanical gardens --- institutes --- 712 <493> Landschapsarchitectuur. Tuinkunst. Parkaanleg--België --- Serre --- Architecture néoclassique --- Jardin botanique --- Quartier du botanique (bruxelles) --- 710 --- art du jardin --- urbanisme --- sculpture --- bouwkunst --- architecture
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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs's De historia stirpium and Andreas Vesalius's De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner's unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period-a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought-and often disagreement-about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists' treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Natural history illustration --- Botanical illustration --- Medical illustration --- Illustrated books --- Art and science --- Science and art --- Illustration, Medical --- Botanical drawing --- Flower painting and illustration --- Fruit painting and illustration --- Illustration, Botanical --- Nature illustration --- History --- Science --- Books --- Medicine and art --- Scientific illustration --- Biological illustration --- 094:58 --- 094:61 --- 76.043 --- 769.04:61 --- 76.043 Iconografie: flora in de prentkunst --- Iconografie: flora in de prentkunst --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- 094:61 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Fuchs, Leonhart. --- Gessner, Conrad --- Vesalius, Andreas --- Vesal, Andreas --- Vesale, André --- Vezalij, Andrej --- Gesner, Conrad --- Gesner, Konrad --- Gesnerus, Conradus --- Gessner, Konrad --- Fuchs, Leonhart --- Fuchsius, Leonhartus --- Natural history illustration - Europe - History - 16th century --- Botanical illustration - Europe - History - 16th century --- Medical illustration - History - 16th century --- Illustrated books - Europe - History - 16th century --- Art and science - History - 16th century --- humani corporis fabrica, andreas vesalius, de historia stirpium, leonhart fuchs, plantarum, conrad gessner, medicine, anatomy, botany, nature, visual culture, science, book printing, publishing, renaissance, research, writing, images, authority, representation, reference, nonfiction, scientific knowledge, illustrations, natural history, europe, copying, coloring, medicinal plants, human body, bloodletting, jamnitzer, mattioli.
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Covering algebriac and differential geometry, the concept of Lie groups, and the relation of Lie groups to planar kinematics, line geometry and representation theory, this work deals with the application of these geometrical methods to robotics, in the areas of statics, dynamics, gripping solid objects, posture and screw systems.
Computer graphics --- L systems --- Plants --- #ABIB:atui --- L developmental languages --- Lindenmayer developmental languages --- Lindenmayer systems --- Developmental biology --- Formal languages --- Machine theory --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Flora --- Plant kingdom --- Plantae --- Vascular plants --- Vegetable kingdom --- Vegetation --- Wildlife --- Organisms --- Botany --- Development&delete& --- Computer simulation --- Mathematical models --- Digital techniques --- Development --- Anatomy --- L systems. --- Computer graphics. --- Mathematical models. --- Computer simulation. --- Infographie --- Biomathematique --- Modelisation mathematique
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502 --- 502 Nature. Nature study and conservation. Nature and wildlife protection --- Nature. Nature study and conservation. Nature and wildlife protection --- Philosophy of nature --- Deconstruction. --- Environmental sciences --- Human ecology. --- Philosophy of nature. --- Philosophy. --- Postmodernism. --- Sciences de l'environnement --- Philosophie de la nature --- Ecologie humaine --- Déconstruction --- Postmodernisme --- Philosophie --- Deconstruction --- Human ecology --- Postmodernism --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Nature --- Nature, Philosophy of --- Natural theology --- Ecology --- Environment, Human --- Human beings --- Human environment --- Ecological engineering --- Human geography --- Criticism --- Semiotics and literature --- Philosophy --- Social aspects --- Effect of environment on --- Effect of human beings on --- Environmental sciences - Philosophy.
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Dædalus was founded in 1955 as the Journal of the American Academy of Arts and Sciences and established as a quarterly in 1958. It continues the volume and numbering system of the Academy's Proceedings, which ceased publication under that title with Volume 85. Dædalus draws on the enormous intellectual capacity of the American Academy, whose Fellows are among the nation's most prominent thinkers in the arts, sciences, and the humanities, as well as the full range of professions and public life. Each issue addresses a theme with original authoritative essays.
Art --- Science --- Humanities --- Social sciences --- Sciences humaines --- Sciences --- Sciences sociales --- Periodicals --- Périodiques --- Humanities. --- Science. --- Social sciences. --- ARTS. --- CULTURE. --- SCIENCE. --- UNITED STATES. --- Conferences - Meetings --- Arts and Humanities --- General and Others --- Philosophy --- Society and Culture --- Kansas City --- USA --- arts --- current periodical --- human sciences --- institutes --- libraries --- quarterly --- Arts and Humanities. --- Society and Culture. --- Périodiques --- EJECONO EJHISTO EJLANGU EJPOLIT EJSCIEN EJSOCIA EPUB-ALPHA-D EPUB-PER-FT JSTOR-E --- Natural science --- Science of science --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Learning and scholarship --- Classical education --- Civilization --- Natural sciences --- Science - Periodicals. --- Social sciences - Periodicals. --- Humanities - Periodicals.
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